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It is the Japanese language term for the practice of older men giving money and/or luxury gifts to attractive young women for their companionship or possibly for sexual favors.

The female participants range from school girls (aka JK business) to housewives.

Feminists such as Chizuko Ueno point out that the accidental access of girls to this dating market was not a matter of ethics, but of probability.

Sooner or later, these girls and young women would, in a desire for financial independence, tap into this market for their own empowerment.

Only later does she stop when a friend or individual intervenes and informs her of the potential risks and consequences of her behavior.

Furthermore, in a 1998 survey by the Asian Women's Fund, researchers found that fewer than 10 percent of all high school girls engage in enjo-kōsai and over 90 percent of the girls interviewed attested to feeling uncomfortable with the exchange or purchase of sexual services for money.Control over their bodies and means to support themselves is a new kind of independence for these girls.Good women in Japan are supposed to be sensible, modest, nurturing and respectful, yet girls participating in enjo-kōsai clearly reject such virtues of female restraint and modesty in Japan.Hiromi follows her friends and begins doing the same.Throughout the movie, they meet with different kinds of men and accompany them in various activities.

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Masato Harada's 1997 film Bounce Ko Gals follows the story of a Japanese schoolgirl in Tokyo who is convinced to try enjo-kosai as a way to raise money quickly after being robbed.